On Work and Children

The Johnsons were her first regular babysitting job, and Clarissa found the next-door neighbor twins quite challenging. 

It wasn’t their behavior as much as it was their appearance or their odor. They smelled like kids – like the starch that escapes a Cheerio after it’s softened in a pile of drool. Greasy tendrils of hair clung to their sweaty heads as if they’d just rolled out of bed at 4 in the afternoon. Each time they ran in or out of a room, a waft of tepid perspiration trailed behind them, twisting her mouth into an unmistakable frown.

And their bedroom … God, their bedroom. It served as a protective capsule, housing every fart they’d released since they were born. She dreaded that inevitable hour later, when she’d have to brave that invisible wall of funk to get them ready for bed. She prayed they wouldn’t make her read to them tonight. Last time she was treated to a thumb full of crusted oatmeal resting in the fold of the book jacket. 

“Gross, guys,” she’d muttered.

“GROSS GUYS! GROSS GUYS!” they’d chanted, jumping up and down in their red-and-grimy-white striped pajamas, wearing her disdain as a badge of honor. 

It was that night that she knew she’d never want children. 

This job was no longer the mark of her new teenage independence. She could now see this job for what it was – work. Something to suffer through long enough to be rewarded with cash. 

It was also the night that she knew she’d never want to work.

This is a little piece from my most recent writing class assignment. Try it yourself: Start with the line The Johnsons were her first regular babysitting job, and Clarissa found the next-door neighbor twins quite challenging. Lean in on descriptions using multiple senses.

The Window

The windows in her house are less than three years old, yet the pair in her bedroom let in a draft so large it sweeps her Juul rings up to the bedroom ceiling. Banjo, her faithful hound, follows the almost-invisible trail of vapor with his head; if she didn’t know better, she’d think he saw a ghost.

Perhaps he did.

Ever since she’d bought the house in the picturesque little mountain town of Hudson, NY, she’d felt a tingling sense that it was still occupied by the former owner, who passed away a year prior. She didn’t know much about him, but neighbors had reluctantly offered up small bits of information over the years, when she was feeling social enough to lightly press. He “wasn’t well.” He was “a recluse. A classic hoarder.” His kids – now adults with families of their own – had to hire a trash removal company to clear out the debris of the old man’s life just to list it on the market – as is – before accepting the first lowball offer they received from a savvy local developer.

When she first toured the house, she wasn’t particularly impressed with the exterior. It was hauntingly close to a replica of her childhood home –  a raised ranch built in the 1980s with vinyl white siding. It wasn’t exciting, but it did come with a level of familiarity; of comfort. She knew what to expect inside.

A pair of gratuitous gray columns flanked the front door, which was painted a vivid, unique shade of blue – darker than Robin’s Egg but softer than Cobalt. The color was lively, and thus out of place, but she enjoyed the surprising pop against the otherwise clinical, safe sea of white.

While the exterior of the house was unimpressive, inside, all was fresh and new. The crisp scent of plywood commingling with paint – again, all bright white – and she inhaled as she took in the sight of brand-new stainless-steel appliances that lined the kitchen walls.  The mix of copper and brass light fixtures throughout the living and dining spaces were modern and sleek; a contrast to the view from the lawn.  

Though the four bedrooms were small, they each boasted at least one closet – something she’d dreamt of in Brooklyn. Both levels of the house – the main floor and the basement – were overlaid with parquet flooring in mixed hues of bold and faint gray.

It was new. It was clean. It was hers. 

This is a little piece from my most recent writing class assignment. It feels so good to be writing again! Try it yourself: Title your piece “The Window.” It’s up to you whether this is a figurative or literal window. Lean in on descriptions using multiple senses.